Orson Scott Card Talks Fantasy and Mapping on Tor.com

Mapping worlds in The Lost Gate.

Sometimes you know when you’re onto something big. It was the same year that “Ender’s Game” appeared in Analog—my first sci-fi publication. I was working with Ben Bova, and the stories I was selling all had spaceships and rivets and machines. But in my heart, what I loved was fantasy.

No, let’s be more precise: What I loved was Tolkien’s Lord of the Rings and George Macdonald’s The Light Princess and C. S. Lewis’s Till We Have Faces and Michael Crichton’s Eaters of the Dead and Thomas Hardy’s Far From the Madding Crowd and John Hersey’s White Lotus and Miller’s A Canticle for Leibowitz and Crowley’s The Deep and Peake’s Ghormengast.